Amy and Rory return in Pond Life

In the build up to the new series of Doctor Who starting at the weekend, the BBC have launched a mini series called Pond Life to get people even more excited about their return.

This week there will be a new short episode released every day at noon. The series is supposed to show what the Ponds, Amy and Rory, as well as the Doctor have been getting up to while they haven’t been on our screens.

So this is Monday’s episode.

Tuesday’s episode sees The Doctor burst in on Amy and Rory in the bedroom.

Wednesday’s episode sees a friendly alien invasion taking place in the Pond’s home.

Thursday’s episode shows that Amy and Rory are still living with an Ood.

Friday is the final episode before the new series of Doctor Who starts on Saturday night, and sees Amy and Rory facing some problems.

Dead Boss, taking no prisoners

Tucked away on BBC3 it would be quite easy to miss brand new prison comedy Dead Boss. But that would be a real shame (dare I say it, criminal?) as it’s actually rather good.

Although very different, it nicely fills the comedy void left by Have I Got New for You on Fridays at 9pm. Written by and starring Pulling‘s Sharon Horgan, Dead Boss is a quirky comedy following likeable main character Helen (Horgan) who has found herself wrongly imprisoned for 12 years for the murder of her boss.

Dead Boss: Sharon Horgan (centre) stars.

Helen (Sharon Horgan) centre

Once inside she devotes all her efforts to finding a way out, with the help of her nice-but-dim arsonist cellmate Christina. But meanwhile she’s up against terrifying fellow prisoner Top Dog (who turns out to be none other than Helen’s ex-supply teacher, intent on revenge for her teenage pranks), as well as Jennifer Saunders’ brilliant prison governor who takes it as a personal slight that Helen wants to leave. On top of that she has to contend with a sister who’s stolen her job, flat and dog and an obsessively stalker-ish work colleague who Helen believes is helping her get out but clearly has very different ideas.

I wasn’t sure about it initially- the opening with a bumbling lawyer was extremely unbelievable and quite silly and some of the characters, especially the tough female prisoners seemed a bit clichéd but by about halfway through I realised I was enjoying it.

Helen is an intelligent, brave and likeable main character and Jennifer Saunders is great. It would very easy to play the governor in an OTT panto fashion but instead she is  very under-stated in her portrayal which makes her far more menacing. There are some genuinely funny and clever lines and in addition a nice little murder mystery is starting to unfold.

The only thing that irritates me about this show is the unbelievable characters, the lawyer being the primary example. Such an inept moron could never be a lawyer and if by some miracle he was, he would never have been employed by a smart woman such as Helen. Since it’s usually the grain of truth that makes things funny, I find all his scenes pretty devoid of humour. Similarly it’s hard to believe that Top Dog was ever allowed anywhere near a school.

But apart from these few little things, the first couple of episodes were impressive and I will definitely carry on watching.

Take a look for yourself on BBC iPlayer

How to avoid the football this summer

Euro 2012 starts tonight with a match between Poland and Greece. While thousands may enjoy watching grown men kick a ball around for the next few weeks, others might not like it that sport invited itself onto our screens removing television programmes from the schedule without asking. So here are a selection of TV shows that are on despite the summer of sports.

Alan Carr’s Summertime Specstacular

Alan Carr is hosting a two-hour television extravaganza on Friday night with celebrities and bands taking part in games and sketches on the show. The guests include: David Walliams, The Saturdays, the cast of Made in Chelsea and Justin Bieber who seemed to be confused by his meeting with Alan Carr but enjoyed it nonetheless.

It sounds as though the show is like Carr’s chat show, Chattyman, and will feature a mix of celeb chat, Carr’s humour as well as plying the guests with alcohol.

Friday 8th June, 9pm on Channel 4.

Britain in a Day

Back in November 2011 a range of British people filmed what happened on one ordinary day in their lives. In total 750 hours of video were submitted, which included 11,526 clips via YouTube. This footage was then edited to a 90-minute film which sees families having breakfast, what life is like in a detention centre and even a marriage proposal.

After the film has been on BBC Two then a website will be launched to get where people can see the full film submissions online here.

Monday 11th June, 9pm on BBC Two.

A Short History of Everything Else

Griff Rhys Jones hosts a new comedy panel show providing alternative perspectives on our past. Rhys Jones is also joined by team captains Marcus Brigstocke and Charlie Baker who, along with guests, will be trying to prove that they remember more than the other team does.

Starts Wednesday 13th June, 10pm on Channel 4.

True Love

Doctor Who co-stars are back on-screen together again as David Tennant and Billie Piper star in True Love. The part improvised drama follows the love lives of five people living in the same town. Dominic Savage, Jane Horrocks and David Morrissey also appear in the show.

The first episode follows Nick (Tennant) who is happily married with children, but begins to question everything when he bumps into his first love again. So you get the idea of the kind of stories this series will tell, but if you really want to avoid the football then it could be the show for you.

Starts Sunday 17th June, 10.25pm on BBC One.

Lip Service: more than just lesbians

The second series of the BBC Three drama Lip Stick has just come to an end, and it has proved that this show is about much more than just being a lesbian. In fact following the group of friends this series led to a near death incident, the opening night of a play and an attempted burglary in just the final.

When the show began back in 2010 it focused on the lives of Frankie and Cat, friends who had fallen in love, screwed it up and were trying to move on but failing. Each episode the character’s opinions of each other would change, and they would invariably end up in bed with each other yet again. So yes, it was dramatic but there were also a number of other characters who were generally left to play sidekick to Frankie’s and Cat’s ‘will they won’t they’ storyline.

However, there was an unexpected problem come series two. Laura Fraser, the actress who played Cat, got a job in America meaning she had to leave. So as the second series got under way and it looked like we were in for another series of the Frankie and Cat story, Cat got run over and died. Shortly after the funeral a grieving Frankie left the country. So we could all move on and find out what else this group of friends had to tell us.

Tess’ acting career has only been touched on during the show before, but this time we got to find out more about her theatrical friends. We saw Cat’s girlfriend, Sam, coping with the death of her loved one while trying to carry on working as a police officer.

Even though it was nice to see that Cat’s death continued to have an effect on the group of friends, some new characters carried on regardless bringing with them some humour to counteract the sombre tone of the show. Most notably Sadie continued to have fun and frolics as she tempted other women away from their wives.

Of course the characters still managed to get themselves involved in sex scenes, straight or gay, but it was all part of the plot.

So it is not so much as though the series has grown up, but just allowed to be about more than a tiresome, obvious love triangle. It isn’t perfect as there are still parts of the plot that seem clunky but generally every character had something to bring to the show and wasn’t forgotten about.

Lip Service is still on BBC iPlayer for the next few days, but there is also rumour of a third series being filmed. In the meantime you can buy series 1 and series 2 through Amazon.

Bafta television nominations for 2012 announced

Appropriate Adult, ITV’s crime drama about the killer Fred West, leads the nominations at this year’s British Academy Television Awards.

The ITV drama has four nominations which are in the leading actor category for Dominic West, leading actress for Emily Watson, supporting actress for Monica Dolan as well as a nomination for mini series.

Sherlock, Twenty Twelve, Scott and Bailey and The Great British Bake Off are among other nominations that have been announced.

The awards will be presented at Royal Festival Hall on May 27th, by Dara O’Briain who is also a nominee for his performances on Mock the Week.

Below are the Bafta television nominations in full.



Leading actor
Benedict Cumberbatch – Sherlock
Dominic West – Appropriate Adult
John Simm – Exile
Joseph Gilgun – This is England ’88


Supporting actor
Andrew Scott – Sherlock
Joseph Mawle – Birdsong
Martin Freeman – Sherlock
Stephen Rea – The Shadowline

Male Performance in a comedy programme
Brendan O’Carroll – Mrs Brown’s Boys
Darren Boyd – Spy
Hugh Bonneville – Twenty Twelve
Tom Hollander – Rev.

Entertainment performance
Alan Carr – Alan Carr Chatty Man
Dara O’Briain – Mock the Week
Graham Norton – The Graham Norton Show
Harry Hill – Harry Hill’s TV Burp

Mini series
Appropriate Adult
The Crimson Petal and the White
This is England ’88
Top Boy

Soap and continuing drama
Coronation Street
Eastenders
Holby City
Shameless

Factual series
The Choir: Military Wives
Educating Essex
Our War
Protecting our children

Single documentary
9/11: The day that changed the world
The fight of their lives
Terry Pratchett: Choosing to die
We need to talk about Dad

Reality and constructed factual
An Idiot Abroad
Don’t Tell The Bride
Made in Chelsea
The Young Apprentice

News coverage
BBC News at Ten: Siege of Homs
Channel 4 News: Japan earthquake
ITV News at Ten: Battle of Misrata
Sky News: Libya rebel convoy

New media
Autumn Watch
The Bank Job
Misfits
Psychoville

Comedy programme
Charlie Brooker’s 2011 Wipe
Comic Strip: The Hunt for Tony Blair
The Cricklewood Greats
Stewart Lee’s Comedy Vehicle


Leading actress
Emily Watson – Appropriate Adult
Nadine Marshall – Random
Ramola Garai – The Crimson Petal
Vicky McClure – This is England ’88


Supporting actress
Anna Chancellor – The Hour
Maggie Smith – Downton Abbey
Miranda Hart – Call the Midwife
Monica Dolan – Appropriate Adult

Female performance in a comedy programme
Jennifer Saunders – Absolutely Fabulous
Olivia Colman – Twenty Twelve
Ruth Jones – Stella
Tamsin Greig – Friday Night Dinner

Single drama
Holy Flying Circus
Page Eight
Random
Stolen

Drama series
The Fades
Misfits
Scott and Bailey
Spooks

International
Borgen
The Killing
Modern Family
The Slap

Specialist factual
British Masters
Frozen Planet
Mummifying Alan
Wonders of the Universe

Feature
DIY SOS: The Big Build
Hairy Bikers’ Meals on Wheels
The Great British Bake Off
Timothy Spall: Somewhere at Sea

Current affairs
Bahrain: Shouting in the Dark
Sri Lanka’s Killing Fields
The Truth About Adoption
Undercover Care: The Abuse Exposed

Sport and live event
Frankenstein’s Wedding: Live in Leeds
The Royal Wedding
Rugby World Cup Final
Tour De France 2011

Entertainment programme
Celebrity Juice
Derren Brown: The Experiments
Harry Hill’s TV Burp
Michael McIntyre’ Christmas Comedy Roadshow

Situation comedy
Fresh Meat
Mrs Brown’s Boys
Friday Night Dinner
Rev.


What do you think about the nominations? Has your favourite programme been missed out, or are you happy that your favourite show has been given a Bafta television nomination? Let us know what you think.

Realistic Scott and Bailey makes for compelling viewing

The second series of Scott and Bailey may be halfway through but just keeps getting better and better.

The popular police duo DC Janet Scott (Lesley Sharp) and DC Rachel Bailey (Suranne Jones) and the other members of the Major Incident Team are back as good as ever, but the script’s been tightened up so there’s no clunky dialogue and no more dubious plots (the odd sequence of events after Janet’s stabbing in series one, anyone?)

All good friends. From left: DCI Gill Murray, DC Rachel Bailey and DC Janet Sharp

On the contrary, this series is extremely believable which is just one of the reasons I like it so much. The way the characters interact with each other and their teasing and irreverent dialogue, underpinned by a real warmth sounds completely natural. The pace of the action too seems realistic. Whilst it’s kept lively with the characters’ personal sub-plots and little moments of humour, the sometimes slow nature of the police’s progress is reflected accurately.

You rarely get the impression the story is being rushed for dramatic effect. There are frequent bouts of excitement, but it comes after lots of interviews and gathering of evidence. It all feels thorough, intelligent and real, not just detectives racing around in fast cars, sirens blaring, making violent arrests. Even the interviews are kept real, with Janet (Lesley Sharp) in particular, conducting them in such a level and unemotional voice it could be seen as dull. But then you realise that’s just because we’ve become so used to police dramas where there’s pacing around, banging fists on the table and shouting, which  looks good on the telly but really isn’t what happens. After all, Janet rarely fails to get results!

It helps too, that they’ve created a set of thoroughly likeable people. The three main characters -Scott and Bailey and their fiery boss, DCI Gill Murray are all such strong, independent women and good role models to show that girls don’t always have to be, as co-creators Suranne Jones and Sally Lindsay put it ‘wife-of, sidekick-to, mother/mistress-of’. They are each flawed and fairly dysfunctional in their various relationships but they all soldier on, passionate about doing their very best to get justice for victims of crime. It’s also nice to see how they support each other, showing that women don’t always need to be portrayed as jealous and bitchy, but can enjoy loyal and caring friendships at work.

Currently Rachel is seething at her hopeless ex-alcoholic brother having caused her to miss her sergeant’s exams, while Janet is struggling having just split with her husband and being pressured into a relationship with Andy. I look forward to seeing what the second half of the series has to offer.

Catch up with the series on ITV Player

 

White Heat gets Red Hot

Ok, so red hot might be an overstatement, but newlyweds Alan and Lilly making out against in the wall last night dressed in gabardines is about as raunchy as we’ve seen on White Heat so far.

There are only got two more episodes left but the show continues to plod along at its own pace, managing, somehow, to quietly tackle a million and one serious issues (the feminist struggle, homophobia, abortion, racism, mental heath issues) without anyone particularly noticing that lots of drama has happened.

White Heat is essentially a sort of intelligent soap opera, focusing on of a group of student housemates in 60s London and looking at their lives, their relationships and their problems in a backdrop which combines the swinging sixties and its sexual liberation with uncertain times of growing political and social unrest.

Cartoon-like: the characters from Paula Milne’s new BBC drama White Heat

Angry but beautiful Jack, Charlotte, Alan, Lilly, Jay, Orla and Victor

The characters are extremely stereotyped, not to mention an unlikely bunch of housemates (rebellious posh boy, feminist,  chubby, heart of gold Irish girl, sexually liberated northerner, gay Asian, Geordie working-class lad and  Caribbean law student) but they are, generally, likeable. The aristocratic tearaway, Jack (or the Angry Communist as he is called in my head), played by Sam Claflin, is the only unpleasant character among them- pompous, obnoxious, egotistical and rude, but even he, very occasionally shows a softer side and makes you want to learn more about him and how he ended up that way.

The show then follows the students in intervals of a decade, right up to the present day when it is apparent that one of their number has died and the others are gathering to remember them. It’s not yet been revealed who the unfortunate is but each week another member of the gang turns up and rules themselves out. My bet is the Angry Communist.

If I’m honest, I’m not entirely sure why I like this programme so much. Quite a lot has happened but all the little sub-plots have been dealt with so subtly that it feels at times slow. And yet this doesn’t bother me. Equally I have no idea where it’s going or what it’s trying to prove just yet, but I quite like that, it’s intriguing.

I think my favourite thing about it is the vibe. I wasn’t around in the 60s but it just feels real and believable to me, right down to the settings, the way its filmed and the way the colours are at times muted and depressed. The soundtrack really adds to it too. Using original music from the 60s makes it feel even more genuine, as well as brightening up some pretty dark moments. And its an era that’s not represented much in period drama, so that’s another thing going for it.

Still, it’s a bit of a puzzler quite why White Heat is so watchable. But it really is. I look forward to seeing where it’s headed.

To see for yourself catch up on BBC iPlayer

The Syndicate doesn’t have the winning formula

The BBC’s new drama The Syndicate shows what happens to five people’s lives after winning £18 million in the lottery, but of course the lottery win is only the beginning of this story.

The show started off just before the press conference where the shop workers were about to be revealed to the press that they were the lucky winners of this week’s lottery rollover. However, the syndicate is a group of five and only three where there. Cue glum faces as we went back four days to find out what life was like before they were millionaires.

The main character Stuart has problems — his girlfriend and his Mum don’t get along. Finally his pregnant girlfriend decides to move back to her own mum and dad’s home taking their son with her and won’t move back in with Stuart until he has a place of his own. Eager to get his family back together he checks out some available flats but runs into a bit of a problem — a lack of money.

So he decides after years of working at the local Right Buy U supermarket he is entitled to a pay rise. Although the manager, played by Tim Spall, agrees the land has been bought by another company and their beloved shop will be closing down and taking their jobs with it. And to make matters worse Stuart finds out that his girlfriend has just gone into labour. All his pressures and stresses lead to him sucking on his inhaler every five minutes.

Stuart clearly needs more money to get his family life back on track, but none of the honest options are helping him out. So his brother Jamie, otherwise known as Harry Potter’s Neville Longbottom, also works at the supermarket and comes up with a plan to help themselves out financially — steal from their own tills. Inevitably it all goes wrong and Jamie ends up smashing a bottle of alcohol over Tim Spall’s head as he unexpectedly comes back into the shop realising he has forgotten his phone and ends up being rushed to A&E.

In among the statements made to the police, frantic trips to the hospital and a life on the line the group find out that they have won the lottery. Their troubles are behind them, but before they can celebrate their lottery ticket needs to be verified which leads to the oddest part of the show. As Stuart has money problems he has lapsed on his weekly contribution to the lottery money so technically he is not entitled to a share of the money.

Frustrated, as his girlfriend is already spending their anticipated millions, Stuart does have one last shred of hope; the rest of the syndicate vote on whether they think he should be allowed his share of the money regardless. The vote is not unanimous and so the deciding vote comes down to the man in a coma, who luckily has just woken up and decides quite quickly that Stuart is allowed his share in a poor attempt to add some suspense.

And so we end up back where we started, revealing that Stuart hasn’t collapsed from an asthma attack and was just running late. But as they, and their winnings, were shown off to the press the other characters revealed that they seem to have anything but ordinary lives too.

Based on the adverts for the show I was expecting something like Sugartown, a light and fluffy show which saw a community overcome their problems. Instead The Syndicate was just miserable and continued to pour the misery on as well making the show feel slow and unwatchable. And it was just one character’s life that we have learnt about so far and frankly I dread what is ahead of us.

Although the acting was good, the crux of the story — the lottery winnings — felt unnecessary as there was so much going on, but maybe will start to play a part later in the series.

The show continues on BBC One on Tuesdays at 9pm or catch up on BBC iPlayer.

Dirk Gently’s holistic hour

Despite BBC Four’s huge cutbacks resulting in most of its programming now just archive footage, somehow Dirk Gently slipped onto the airwaves.

Loosely based on the books by Douglas Adams, Stephen Mangan has stepped into the shoes of main character Dirk who runs his very own holistic detective agency. There was a trial run of the series back in December 2010 which was fantastic and it is good to see it wangled its way back. Darren Boyd is also back to play Dirk’s assistant, Richard MacDuff who seems to have decided that it is a sensible career move to work at the detective agency which has a lack a paying customers.

There has been some talk that Dirk Gently would suffer in a post Moffat Sherlock world because that has the perfect twosome with a knack for solving crimes, but these comparisons are missing the point. There are similarities; the fantastic music sounds similar, it focuses on two men and they are usually in the middle of some dangerous hijinks. However, the show is more like a drama rather than a detective show. Dirk’s logic to solving crime is his gift that no one else gets. Instead the fun comes from watching Dirk and everyone’s responses to his unusual behaviour.

The real comparison which is hard for the show is the books. There are so many things happening which can be expressed well in a book but sort of lose their meaning and end up confusing when put on the television. So I think the show has done well to retain the essence of Dirk whilst also still making sense.

There are also some great lines, one of my favourite that I will now be using whenever I am having a bad day is: “I believe we are having one those days were even Mother Theresa would kick babies.”

Fingers crossed another series slips onto the BBC Four before anyone realises that it is something that costs money on that channel. Catch up with the series on BBC iPlayer.

Inside Men robbed of a good ending

What a let down this turned out to be! With the plans for the big robbery getting grander and more complicated by the week and the characters struggling to keep it all together, the final installment of this 4 part BBC One drama promised an explosive ending.

Unfortunately when it came to it, we got drama and chaos aplenty- people screaming, men in masks and sirens blaring- but not a lot of sense. In my house we were left unsure as to quite what even happened. Maybe we’re just stupid but it certainly was confusing.

From left: Warren Brown as Marcus, Steven Mackintosh as John and Ashley Walters as Chris

The whole thing was constantly jumping backwards and forwards between events and it appeared that after nearly shooting dead one of his own gang, the boss, John, and his ‘inside men’ (including security guard Chris- the one who was shot) miraculously got away with their £25million and were friends again. John’s marriage to Ruth from Spooks was suddenly fine and rosy again and he was boldly but cryptically claiming in a self-satisfied voice that he wasn’t ‘scared any more’.

This was followed very shortly after by him driving back to the work place he stole the money from, seemingly with the stash in the back of a camper van he had randomly got hold of. Was he going to turn himself in and if so why? Was he going to give the money back? Was he planning to tell on his accomplices? Well we’ll never know because that’s where the story ended.

It was extremely unsatisfying, especially as it had had a lot going for it up until the end. There were flaws certainly. The character of John was somewhat unbelievable, changing almost instantly from the self-effacing and kindly boss and family man he had been for eight years, the minute there was the lure of money into a cold, psychopathic criminal who would gladly shoot a friend if it meant getting his cut. Even if we believed this alarming personality change, he then seemed able to switch his nice-man act on and off at will, knowing exactly how to play people at every turn. It’s hard to believe that a man so consistently lovely for at least the eight years he worked there, could suddenly do this without practise. But this robbery was meant to be a spur of the moment decision- it wasn’t something he’d been slyly planning the whole time. It doesn’t quite add up.

But still, the acting and the camera work was good. The development of the other characters was building nicely, becoming almost like a psychological study, showing their creeping paranoia towards one another and their struggle to cope with the temptation of their possible prize weighed up against not wanting to hurt the people they love. It was also interesting to see how the opening scenes of John’s wife being kidnapped and Chris being shot, were not quite what they first seemed. The first three episodes were positively masterful.

This drama had such potential. But sadly lots of shouting, running, jump cuts and fake blood can’t cover up a lazy script at the final hurdle. Viewers really were robbed of a satisfactory ending here.